We propose, as a model, a simple jazz arrangement of the renowned Coltrane's composition "Giant Steps", suitable for a mid-size ensemble. In this paper we exclusively discuss the structure of a typical jazz arrangement, providing some indications concerning, predominantly, the writing methodologies. Fifth, the aforementioned three compositions are arranged and expanded to varying degrees in order to allow them to be performed by contemporary Western small chamber wind groups – the brass quintet and the woodwind ensemble – in pedagogical and other contexts. Fourth, a composition is written in each musical tradition explicitly using these most typical traits: Three Swans (Russian vocal folk polyphony), Torontovka (Russian village accordion repertoire) and Song To Our Children (Soviet tourist/traveller bard song). Third, these analyses, performed upon dozens or hundreds of examples, are compared in order to discover the most typical traits of each musical language or dialect. Second, a sizeable number of representative pieces or examples from each tradition are analyzed with the use of special methodologies tailor-made to show the most prominent apparent organizational principles in the music (including modes and chord progressions, melodic contour, musical form, poetic form and meter). First, a historical overview of the development of each tradition is provided. Each musical tradition is taken through five steps. This dissertation performs analyses of and compositions in three musical traditions that have received little attention in the English-speaking literature: Russian vocal folk polyphony (as described by theorist Aleksandr Kastalskiy in the 1920s), Russian village accordion repertoire and Soviet tourist/traveller bard songs.
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